ou can hurt with your words but sometimes you can hurt more with your silence.
Tuesday, March 17, 2015
First Backcountry Ski
On Sunday, Dan and I headed down to Mount Rainier with the goal of skiing the Pinnacle/Castle saddle area. I took a look at the initial slope and didn't like the thought of coming down it. So we drove up to Paradise and started skinning up to the Muir Snowfield. The snow was pretty scoured above Panorama Point, so we stopped there to go downhill. The snow was thick sticky mush. We decided to not do laps and to hit the Copper Creek for some burgers and shakes. At least the weather was nice.
Dan taking a rest from skinning. Note all the tracks.
The Tatoosh and Adams.
Dan boarding in the crud.
Me, pretending to ski. (photo by Dan Engel)
Friday, March 13, 2015
Aquamarine
Lugwork Preferences
While I've come to appreciate some non-luggged methods of frame construction and have even discovered a bike that I truly think looks better without lugs (the truss frame), overall my infatuation with lugwork shows no signs of subsiding. I can go into a meditative trance whilst following the seemingly chaotic yet magically harmonious outlines of a Nervex lug (above) and I can experience a dizzying sense of exhilaration at the sight of a particularly intriguing seat cluster (below).

Granted, it's kind of insane to feel so strongly about lugwork - but also perfectly normal for someone involved in art and design. After all, if designers and artists did not feel an obsessive emotional attachment to forms, colours and textures, what would motivate them to create new work? I don't see myself as a hands-on framebuilder, but I think that my dream "bike job" would be to work with a framebuilder as a designer - not only of overall frame specs, but of the lugwork itself. Some framebuilders make proprietary lugs from scratch, while others take pre-fab lugs and alter them beyond recognition - so it's possible to find someone to work with in that context. Some day.

But back to lugs... As with everything, those who are into lugwork tend to have their preferences. For instance, for some it's "the fancier, the better," and their "holy grail" is the type of truly elaborate lugwork you might see on Hetchins frames. Some like their lugschromed, or painted a contrasting colour to the frame.Some prefer "pointy" lugs, while others prefer "rounded" ones. Many customers ordering custom frames ask for something personal or symbolic to be carved into at least some of the lugs, like a shamrock or a star of David. And others still might favour a particular manufacturer, preferring the distinct looks of Nervex lugs, Capella lugs, or Mercian's Vincitore lugs (above).

To my eye, lugwork looks best when it complements - but does not overwhelm - the overall form and "personality" of the bicycle frame. For that reason, I am actually not a fan of some of the fancier lugwork out there - to the extent that if someone were to give me a Hetchins with one of the elaborate lug patterns, I would sell it; it really does nothing for me aesthetically. To me, a bicycle frame is ultimately about the form of the frame itself, and I think that overly ornate lugwork competes with that. If the eye is continuously drawn to the joints of the tubes, that interferes with being able to take in the overall aesthetic - which is not something I'd want to happen if I were designing a bicycle. For the same reason, it does not appeal to me when lugwork contrasts dramatically with the main frame colour: For instance, chromed or white lugs on a black or a deep red frame. Close up, the effect is beautiful, but it just does not work for me as an overall design when looking at the complete bike as a whole.
I do have my favourite design elements, such as double-plate fork crowns (above), elegant seat clusters, and main lugs with a filigreed look to them. But inasmuch as possible, I prefer for these elements to be noticeable only upon close inspection, so that when looking at the bicycle as a whole, the overall form is what dominates. Oh, and when it comes to utilitarian transportation bikes? The "jagged broken pipe" look of the old Raleigh Sports lugwork is just fine with me - the simpler the better.
What are your preferences? - if you like lugs at all, that is! Do you have a "dream lugwork" in mind if you had the choice, or would you leave it up to the framebuilder?
Thursday, March 12, 2015
Rider Fatigue and Bicycle Design
A reasonable assumption would be that a heavier and slower bicycle would be more fatiguing than a lighter, faster one, but for me that is not always the case. It seems to have more to do with how the bike feels on the road. When a bike does not do a good job dampening road shock, I begin to feel exhausted very easily. I also seem to be sensitive to a bicycle frame's tubing, because some bikes just feel more effortful to propel forward than others, despite similar geometry, size and fit. Oddly, positioning does not seem to have as much to do with it for me as these other aspects: Some bikes I can ride for a long time in an upright position and some bikes I can ride for a long time in an aggressive drop-bar position, whereas on other bikes these very same postures begin to feel exhausting sooner.
What has been your experience with fatigue on different bicycles? Have you noticed any patterns or connections? I suspect that there is no one formula to this. No doubt it is a complex interaction between a number of factors, including individual anatomy.
Anti-Theft Cozy


Edited to add: After searching for "knitted U-Lock cover" on google, I've discovered this post from Bikes and the City. Bi-coastal trend?
Tuesday, March 10, 2015
Montaña De Oro
Wednesday, May 29th - - I have been back in Indiana for two weeks and am staying with some friends. I've found an apartment but it won't be available until the end of July and I'm still waiting for the final approval. However, it will be worth waiting for - it has a garage! And I'm looking forward to "settling down" again. Thankfully my friends are very good ones and are willing to put me up and put up with me for a while.
Tuesday, April 30th - - In early afternoon I left Yosemite National Park and continued on to the coast arriving at Montaña De Oro State Park, a few miles southwest of Morro Bay. I fell in love with that area when I was stationed at Point Mugu (near Oxnard) in the mid-1970s.

The website for the park states that Montaña De Oro is one of the largest state parks in California and features over 8,000 acres of rugged cliffs, secluded sandy beaches, coastal plains, streams, canyons, and hills. I've stayed here before and enjoyed it very much. As you can see in the photos, it was rather cloudy and overcast - it was rather chilly too!

One of many flowers in the Ice Plant that was growing alongside the road.

A close-up view of the inside of the flower.

Looking toward the south.

Details that were hidden in the dark original photograph show up a little better after it was converted to a pencil sketch.

Looking toward the north.
Tuesday, April 30th - - In early afternoon I left Yosemite National Park and continued on to the coast arriving at Montaña De Oro State Park, a few miles southwest of Morro Bay. I fell in love with that area when I was stationed at Point Mugu (near Oxnard) in the mid-1970s.

The website for the park states that Montaña De Oro is one of the largest state parks in California and features over 8,000 acres of rugged cliffs, secluded sandy beaches, coastal plains, streams, canyons, and hills. I've stayed here before and enjoyed it very much. As you can see in the photos, it was rather cloudy and overcast - it was rather chilly too!

One of many flowers in the Ice Plant that was growing alongside the road.

A close-up view of the inside of the flower.

Looking toward the south.

Details that were hidden in the dark original photograph show up a little better after it was converted to a pencil sketch.

Looking toward the north.
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